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In Case You Missed It
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Reviews
Kharma, Most Dangerous Game (Flatspot Records, 2020)
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Lists
5 Killer Cover Songs: Joy Division
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Interviews
Hot Water Music Bassist Jason Black on Their New Album, Influence of Leatherface + More
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Features
Eighteen Visions: No Echo Teams Up with Band for Vinyl Variant of Purgatorio EP
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Features
Autarch: NC Band Delivers Epic, Crust-Kissed Hardcore on “Saturn” (PREMIERE)
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Features
Standing Firm with Inside Knowledge: Authors of Texas-based Zines on Creating Their Own
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Features
Power Alone: New California Hardcore Band Comes Ripping with “Something Real” (PREMIERE)
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Features
Fake It: California Band Weaves Melancholic Guitar Jams on ‘The Family Name’ EP (PREMIERE)
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Interviews
Pandemic Profile: Kat (FAIM)
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Features
Civilian Mind: New Straight Edge Hardcore Band Emerges from Arizona Scene
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Features
Drowning: Beatdown Hardcore Suppliers Return with “U.A.S.H” (PREMIERE)
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Reviews
Phalanx, Golden Horde (Self-Released, 2020)
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Features
Bassist Spotlight: Blake Fowler (Time and Pressure)
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Record Collectors
Record Collector: Matthew Taylor (Monotrope, Bellini)
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Interviews
Michael Scondotto (Confusion, Inhuman, The Last Stand)
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Features
Blind to Life & Shit Eating Grin: Colorado Hardcore Bands Unite on New EP (PREMIERE)
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Features
No Time Singer Adam Thomas on Their Return LP & the Many Misconceptions About Oi!
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Lists
5 Thrash Records That Inspired My Latest Project, by Damien B (TRIAL, khost)
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Features
Tomb Mold, Superstition, Noisem + Coagula @ Atlas Brew Works, Washington, DC (PHOTOS)
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Reviews
Kings Never Die, It's What We Live For (Upstate Records, 2021)