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In Case You Missed It
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Features
UV-TV: Gainesville Group Dispatch Infectious Jangle Punk Via “Happy” (PREMIERE)
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Lists
12 Newer Hardcore Bands to Check Out in 2023
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Features
Return to Earth Vocalist Ron Scalzo on Ending Their Decade-Plus Break With LP
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Features
Tear Drop x WISH: Texas & Florida Metallic Hardcore Outfits Discuss Their New Collaboration
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Reviews
STORM{O}, Finis Terrae (Various labels, 2019)
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Reviews
Ball of Light, 2 Song EP (Rad Girlfriend Records, 2020)
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Features
Razorblades & Aspirin: Michael D. Thorn on Why It's Important for Zines to Exist Today
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Features
Elephant Walk Vocalist Luna Rain on the Trans Hardcore Community & More
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Lists
Freddy Alva’s Favorite Records + Books of 2019
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Features
All Else Failed to Reissue Their 1997 A Most Bitter Season Album (EXCLUSIVE STREAM)
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Features
Vein: Live at Asian Taste, Baltimore, MD (RECAP + PHOTOS)
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Interviews
Matt Saincome (Founder, TheHardTimes.net)
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Features
Intercourse: Hardcore/Noise Rock Band Goes Gnarly on “I Need Saturday Off So I Can Play a Teenager’s Basement”
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Reviews
Street Weapon, Quick to Die (NFTW Records, 2020)
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Features
Rakefire: Connecticut Metallic Hardcore Combo Goes Off on Existing & Resisting EP
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Features
Milk Money: Utah Post-Hardcore Band Tells Dystopian Werewolf Love Story on “Mercy”
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Features
Brain Cave: Ohio Trio Returns with Riffy Post-Hardcore on “Promotion to Autopilot” (PREMIERE)
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Interviews
Brian McTernan (Battery, Ashes, Miltown, Be Well, Producer)
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Features
Wreath: Florida-Based Melodic Hardcore Unit Scales “City Walls” on New Track (PREMIERE)
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Features
Record Label Profile: Laptop Punk Records