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In Case You Missed It
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Features
Night Witch’s “Corrupted” Is a Message to Men About Their Predatory Behavior (PREMIERE)
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Record Collectors
Record Collector: Jud Hambleton, aka kruelov
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Features
Rexxx: Milwaukee Quintet Provides Power Pop Ear Candy with “Last Night” (PREMIERE)
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Reviews
ÂGE ⱡ TOTAL, ÂGE ⱡ TOTAL (Soza, 2021)
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Features
Safe and Sound: Tacoma sXe Band Drops “To Burn Apathy” from Upcoming EP (PREMIERE)
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Features
Poisoned Seeds: Ex-Go It Alone, Blue Monday Members Bring ‘90s Hardcore Feel on New Demo (PREMIERE)
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Features
Revelation Records Invades Bandcamp
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Features
XweaponX & World of Pleasure Team Up on Powerful New Split EP
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Features
Regret: Hong Kong-Based Group Channels Local Turmoil Into Raw Hardcore on Debut EP
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Features
Prison of Hope: Inspired by ‘90s Hardcore Sound, New Band Emerges from German Scene
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Features
Salvation: Classic Sub Pop & AmRep Noise Rock Are Still Alive on “New Milk” (PREMIERE)
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Reviews
Magnitude, To Whatever Fateful End (Triple-B Records, 2019)
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Features
Mark Lind and the Unloved: Ducky Boys Vocalist Climbs “Out of the Blackout” (PREMIERE)
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Features
Facewreck: Pittsburgh Band Brings Mosh + Fun Energy on “Losin’ My Cool” (PREMIERE)
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Features
Rhythm of Fear: Jacksonville Crossover Thrash Unit Warns of “Insidious System” on New Track
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Features
New Hell: Rhode Island Band Presents Grim Worldview on Self-Titled Debut
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Features
Windhand + Genocide Pact @ U Street Music Hall, DC (PHOTOS)
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Features
Angel Du$t @ The Camel, Richmond, VA (PHOTOS)
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Interviews
Supercrush Vocalist/Guitarist Mark Palm Talks Debut LP, ‘90s Alt Rock + More
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Reviews
Blind Justice, No Matter the Cost (Flatspot Records/Edgewood Records, 2018)