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In Case You Missed It
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Reviews
Red Death, Formidable Darkness (Triple-B Records, 2017)
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Features
The 1865 with Sylvia Black @ Moroccan Lounge, Los Angeles (PHOTOS)
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Features
The Sunset Skins, NYHC Crew: A Chat with Lou Morales, Minus, and Jorge Rosado
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Features
New Artist Focus: Violated Right
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Features
Sacred Fire: LA Crossover Thrashers Get Our Attention on “Echo Chamber” (PREMIERE)
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Features
theLINE: California Band Showcases Their Many Stylistic Sides on “Hawkeye” (PREMIERE)
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Reviews
Punitive Damage, This Is the Blackout (Atomic Action! Records, 2022)
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Interviews
BJ Papas: Legendary NYHC Photographer Discusses Her Career
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Features
Is Hardcore Becoming Mainstream?
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Features
Chopping Block: Seattle Band Returns with Two New Hardcore Heaters (PREMIERE)
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Reviews
Penitentiary, Recidivist (Upstate Records, 2018)
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Features
Underøath x Spiritbox x Bad Omens @ The Warfield (PHOTOS)
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Reviews
Bloodclot, Up In Arms (Metal Blade Records, 2017)
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Interviews
Turbonegro Frontman Tony Sylvester on Style, His Early Hardcore Years + More
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Features
Raiding the Victory Records Vault: How I Spent $12,095 on an Unmarked Chest at an Auction
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Features
Nuclae: A Conversation with Ex-Integrity Guitarist Aaron Melnick About His New Musical Project
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Features
Full Scale Riot (ex-M.O.D., Shat, Dillinger Escape Plan) Go Ultra-DIY on “Push” Music Video
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Reviews
Berthold City, When Words Are Not Enough (WAR Records, 2022)
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Features
Detachment: Long Island Metalcore Band Drops New Single from Forthcoming Album
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Features
Winds of Promise Go ‘80s Video Game Route for “Grab a Little, Take a Lot” Music Video