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In Case You Missed It
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Interviews
H8000: Director Hans Verbeke on His Doc About the Belgian Hardcore Scene (1989-1999)
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Features
Shai Hulud Guitarist Matt Fox Looks Back at Each of Their Studio Albums (EXCLUSIVE)
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Reviews
No Escape, Selective Punches: A Collection of Ballads and Battle Hymns (Hellminded Records, 2021)
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Reviews
Fucked and Bound, Suffrage (Atomic! Action Records/Void Assault Records, 2018)
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Photo Spotlight
Photographer Spotlight: Ed Battes
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Features
Balance: UKHC Group Remains Focused on Catchy Hooks with “Death II Fake”
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Reviews
Crate Digger: An Obsession with Punk Records, by Bob Suren (Microcosm Publishing, 2015)
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Features
Immerse: UK Metalcore Band’s New Album Finds Optimism Within the Gloom & Doom
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Features
Days Spent: Florida Hardcore Band Pushes “Straightforward Narrative” on Latest EP
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Reviews
Nothing, Dancing on the Blacktop (Relapse Records, 2018)
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Photo Spotlight
Photographer Spotlight: Nick Sayers
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Reviews
Heiress, Distant Fires (Satanik Royalty Records, 2021)
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Features
City of Industry Keeps Up Their Furious Pace with False Flowers Album (PREMIERE)
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Features
Video Premiere: Triobelisk, “Zoneplex”
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Features
Last Gasp: Cleveland Hardcore Rippers Return via Fall '22 Eternal 3-Song Drop
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Interviews
With Honor Guitarist Jeff Aust on the Connecticut Hardcore Band’s First LP in 18 Years
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Features
“Female-Fronted” Is Not a Fucking Genre
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Photo Spotlight
Photographer Spotlight: Yeshua Flores
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Features
Never Had It: Florida Musician Busts Out Lockin’ Out Energy on “My Way Out” (PREMIERE)
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Interviews
Jon Sinko (Unrestrained, Backlash)