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In Case You Missed It
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Record Collectors
Record Collector: Suzanne Verweij, aka suuzvinyl
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Features
Bad Ideals: San Antonio Hardcore Outfit Finds Their Lane on Latest EP
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Lists
Best Metal and Rock Hangouts Around the World, by Ashmedi (Melechesh)
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Features
Rejoice: Ohio Band’s “Monstrous Dove” is a Nasty Slice of Metallic Hardcore (PREMIERE)
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Features
Flyover Fest 2023: Forthcoming Tulsa Event Will Celebrate Hardcore for a Great Cause
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Features
The Deadline: New Brooklyn Hardcore Band Should Get on Your Radar
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Features
Wet Specimens Bring Forth Darkened Hardcore Punk on Haunted Flesh EP (PREMIERE)
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Features
WiiRMZ: Ex-Members of Elliott, Endpoint Deliver Propulsive Punk on Debut LP
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Features
The Fight: LIHC Group Working with Triple B Records, Release Two New Tracks
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Interviews
Void Bassist Chris Stover Looks Back on the Band, Working with Dischord Records + More
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Features
MIDWESTLUST: Illinois Harsh Noise/Power Violence Outfit Is a Testament to the DIY Ethos
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Lists
Parody Hardcore Bands: Part 2 (Electric Boogaloo)
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Features
Cold View: California Metallic Hardcore Group Takes Care of “Loose Endz” on New Track
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Features
Sectioned: A Look at One of the UK’s Most Exciting Underground Musical Outfits
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Lists
No Echo x Revelation Records Playlist
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Features
Force Model: Los Angeles Group Brings ‘90s Alt.Rock Vibes on “Drowning Flower’s Pot”
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Features
Negative Frame: UKHC Band Drops Sick New EP, Gears Up for Busy End to Year
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Interviews
Mike Hill (Tombs, Anodyne, Otis, 454 Big Block)
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Reviews
Wake of Humanity, Fight/Resist (Bitter Melody Records, 2018)
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Features
Citizen Rage: Canadian Hardcore Band Pulls No Punches on Brand New EP (PREMIERE)