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In Case You Missed It
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Features
Arcline: LA Hardcore Group Teams w/ Hoods Vocalist on “Reptile” (PREMIERE)
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Interviews
Record Label Profile: New Morality Zine
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Features
Risk: Massachusetts Hardcore Unit Shows Love for the Moshers in “Nothing Ever Ends” Video
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Features
International Hardcore Bands You Need to Know About: Farmaco
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Reviews
Backtrack, Bad to My World (Bridge Nine Records, 2017)
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Reviews
Laffing Gas, It’s a Beautiful Day in the Gulch (Beach Impediment Records, 2020)
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Features
Secret Fun Club Deliver Crushing Tones on “Orchestral Maneuvers in the Dark Throne” (PREMIERE)
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Features
Injury Time: London Band Returns With No-Nonsense Hardcore via New Demo
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Interviews
A Wilhelm Scream Discuss New Album, the Importance of the ‘90s Hardcore Scene + More
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Features
Rabbit: Meet One of the Newest NYHC Bands to Get Our Attention
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Features
Traffic Death: Iowa Band’s Singer Nate Phillips on Their Crossover Sound, VHS Collecting & More
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Features
Dry Socket: Portland Hardcore Punk Band Returns With a Beast Called “Shake” (PREMIERE)
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Features
Ecostrike, Drug Church, Abuse of Power, Secondsight, Discourage @ 924 Gilman St, Berkeley, CA (PHOTOS)
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Reviews
Scowl, How Flowers Grow (Flatspot Records, 2021)
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Features
BillyBio: H2O’s Toby Morse Joins Biohazard Guitarist/Vocalist for “One Life to Live” Single
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Reviews
Killswitch Engage, Atonement (Metal Blade Records, 2019)
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Reviews
Deafkids, Metaprogramação (Neurot Recordings, 2019)
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Features
Vaaska: Texas Band Has Been Delivering Scandinavian-Styled Hardcore for Over a Decade
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Features
First in Line: Swedish Band Was Raised on a Steady Diet of American Hardcore
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Reviews
Hazing Over, Pestilence (Self-Released, 2021)