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In Case You Missed It
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Reviews
Sumac, What One Becomes (Thrill Jockey, 2016)
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Lists
10 Musical Artists I Love I Wish More People Paid Attention To
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Sanction, The Infringement of God’s Plan (Reconsider Records, 2017)
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Lists
Slept-On Records from Classic Labels: No Idea Records
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Features
Rats Nest: UK Trio’s “A Family Portrait in Black and Gray” Is a Tasty Slice of Melodic Punk
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Syracuse Hardcore New Years Day Matinee 2022: A Chat With Promoter Lukas Reed
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Strife Take on Void’s “Who Are You?” (PREMIERE)
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Black Army Jacket Guitarist Andrew Orlando on the ‘90s Power Violence Band’s New Discography
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Interviews
Lewis Martineé (Producer: Exposé, Pet Shop Boys, Debbie Gibson, The Cover Girls, Sequal)
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Interviews
Gulch Vocalist Elliot Morrow on Their New Album, the Bay Area Scene, Fighting Nazis + More
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Features
Heel Turn: Alabama Hardcore Group Returns with Tourist (Noise) (EP PREMIERE)
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Reviews
Candy, Good to Feel (Triple-B Records, 2018)
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Features
Lingua Ignota @ The Sinclair, Cambridge, MA (LIVE REVIEW)
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Features
The Story Behind the Brooklyn Blast Furnace Podcast
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Features
End of Hope: NYC Band Bring Their Motörhead-meets-Black Flag Style on New Track
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Reviews
Ruby the Hatchet, Valley of the Snake (Tee Pee Records, 2015)
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Features
Abstain Singer Brady Schiller on Their New Label Deal, San Diego Hardcore Scene’s Rich History
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Record Collectors
Record Collector: Bernard Zuech, aka sanity_x_decays
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Reviews
Fiddlehead, Between the Richness (Run for Cover Records, 2021)
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Interviews
Sunami: Vocalist Josef Alfonso on His Love for Bay Area Hardcore + More