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In Case You Missed It
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No Cure: Alabama Band’s “No Cure Straight Edge Die Slow F—k You” Is Pure Beast Mode
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Unified Action: New UKHC Group Wastes No Time Getting to Business on Debut EP
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Interviews
Bassist Spotlight: Madison Watkins (Year of the Knife)
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Kill Your Idols: LIHC Heroes Celebrate Early Record with Expanded Reissue (PREMIERE)
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Manson Family Band (ex-Visual Discrimination) Return with “Dead Robots” (PREMIERE)
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Reviews
Bleached Cross, Bleached Cross (Protagonist Music, 2022)
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Wronged Director Nick Holland on How the Hardcore Scene Helped Him Make His Film
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Shades Apart Look Back on Each of Their Studio Albums (EXCLUSIVE)
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Interviews
Devo’s Jerry Casale on Johnny Rotten, Being the “New Wave Grateful Dead” + More
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Candy Announces It's Inside You Album, Unleashes First Single
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Dead American: Former Saosin Vocalist Cove Reber on His Latest Musical Journey
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Souls: South Dakota Metallic Hardcore Band Debut “Whitebliss” (PREMIERE)
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Never Had It: Florida Musician Busts Out Lockin’ Out Energy on “My Way Out” (PREMIERE)
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New Artist Focus: Ill Communication
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Blood Built Empire: Trio Explores Tense/Aggressive Textures on “The Gun” (PREMIERE)
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Interviews
Eerie Von (Samhain, Danzig, Rosemary’s Babies)
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Reviews
Effective Relief, Demo (2023)
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Features
Friendship Commanders Serve Up Delicate Vocals Over Sludgy Guitars on “High Sun” (PREMIERE)
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Anna Sage: Paris-Based Band Constructs Epic Chaos Core via “Lost in a Frame” (PREMIERE)
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World Demise: New Jersey Outfit Wave the Hardcore Flag on “Dead & Gone” (PREMIERE)