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In Case You Missed It
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Reviews
Redwoods, Redwoods (Self-Released, 2020)
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Features
Slow Burning Rage: Stream the Genre-Resistant Debut from Ryan Parrish (Suppression, Iron Reagan)
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Interviews
Cutting Steak: Abbas Muhammad (Rule Them All, Burn)
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Reviews
Tired of Everything, Silenced (To Live A Lie Records, 2018)
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Features
Ripped to Shreds: Andrew Lee on Anti-Asian Rhetoric & Digging Deeper Than Horror/War Lyrics
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Features
Tides Denied: German Youth Crew-Inspired Outfit Unleash Debut Album (PREMIERE)
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Interviews
Stigmatism: Meet the Musicians Behind One of the Best Hardcore Bands Around Today
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Reviews
Forced Order, One Last Prayer (Triple-B Records, 2017)
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Features
Struck Nerve: Members of Jesus Piece, Agitator Sign Label Deal, Announce Debut EP
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Features
Dave Witte Discusses Upcoming Shape of Sound Drum Circle Event
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Features
Drain: Santa Cruz Hardcore Unit Returns w/ Two New Tracks (PREMIERE)
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Interviews
Freddy Alva (New Breed compilation, Wardance Records)
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Features
Nequient Serves Up Grind, Death Metal + Sludge on “Collective Punishment” (PREMIERE)
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Features
Locked in a Vacancy: Metalcore Unit Returns After Long Hiatus with “The Burden of Being”
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Features
Sectioned: A Look at One of the UK’s Most Exciting Underground Musical Outfits
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Features
Intercourse: Hardcore/Noise Rock Band Goes Gnarly on “I Need Saturday Off So I Can Play a Teenager’s Basement”
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Reviews
Miracle Drug, How Much Is Enough (WAR Records, 2017)
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Interviews
Scott Peterson (Cryptic Slaughter)
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Reviews
At the Gates, To Drink from the Night Itself (Century Media Records, 2018)
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Features
Slight Return: Scene Vets Form DC-Inspired Melodic Hardcore Band, Drop Debut Track